本土自拍大中华

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nginx STROLLING SINGERS AT ASAKUSA. STROLLING SINGERS AT ASAKUSA. She backed half a step, and quite needlessly I let it go. Then she bade me not forget I had promised her the words of a certain song. "Want them? Indeed, yes! Did you not say it was an unpublished song written by a messmate of yours?--oh, Mr. Smith! I see why you stammer! You said 'a member of your mess'! oh!--oh!--oh!--you wrote it, yourself! And you wrote it to-day! That explains--" She drew an awesome breath, rose to her toes and knit her knuckles under her throat. "Wrong?" Lawrence cried as he paced the room. "Not much. Why, you are giving me the master key to the situation. Look me up again this evening. I guess I shall be able to astonish you. I'm off to Frampton's now. I must have a copy of that paper if it costs me a hundred pounds." Steam and other machinery applied to the transport of material and travel, in navigation and by railways, comprises the greater share of what may be called engineering products; and when we consider that this vast interest of steam transport is less than a century old, and estimate its present and possible future influence on human affairs, we may realise the relation that mechanical science bears to modern civilisation. Sandy, his face moody, said nothing. Closer and closer together came the swift turbine propelled yacht and the surface-skimming hydroplane. Landing the amphibian, at almost the same spot they had set down before, Jeff looked around for the rubber boat they had left tied to a sunken snag. “Here comes the tug and floating crane, to salvage the seaplane,” said Jeff. “You’ll have to stay in the tug deckhouse, till we get the straight of this—and for holding a gun on us. You can explain to the police, maybe—as for us, we don’t need to explain!” “How?” Dick amended. "I'll take a lemon soda, thanks," said Taylor. But he knew that she did not love him. She was grateful. It was sometimes an Apache trait. He realized that it was his curse and hers that he could not for an instant forget the strain. He read her character by it, half unconsciously. He saw it in her honesty, her sinewy grace, her features, her fearlessness, her kindness with children,—they were all Apache characteristics; and they were all repellent. From his youth on, he had associated the race with cruelty and every ghastly sight he had come upon, on the plains and in the mountains. It was a prejudice with more than the force of a heritage. He went on with his study of her, as she sat there. He was always studying her.[Pg 54] But he could not decide whether it was that she lacked sensitiveness and was really not greatly disturbed, or a savage sort of pride in concealing emotions. She was quite alone, wandering among the trees and bushes in the creek bottom, and her hands were full of wild flowers. She had pinned several long sprays of the little ground blossoms, called "baby-blue eyes," at her throat, and they lay along her white gown prettily.[Pg 274] She stopped and spoke to him, with a note of lifelessness in her high, sweet voice; and while he answered her question as to what he had been doing since she had seen him last, she unpinned the "baby-blue eyes" and held them out to him. "Would you like these?" she asked simply. He took them, and she said "Good-by" and went on. The taste for Italian music was now every day increasing; singers of that nation appeared with great applause at most concerts. In 1703 Italian music was introduced into the theatres as intermezzi, or interludes, consisting of singing and dancing; then whole operas appeared, the music Italian, the words English; and, in 1707, Urbani, a male soprano, and two Italian women, sang their parts all in Italian, the other performers using English. Finally, in 1710, a complete Italian opera was performed at the Queen's Theatre, Haymarket, and from that time the Italian opera was regularly established in London. This led to the arrival of the greatest composer whom the world had yet seen. George Frederick Handel was born at Halle, in Germany, in 1685. He had displayed wonderful genius for music as a mere child, and having, at the age of seven years, astonished the Duke of Saxe Weissenfels—at whose court his brother-in-law was a valet—who found him playing the organ in the chapel, he was, by the Duke's recommendation, regularly educated for the profession of music. At the age of ten, Handel composed the church service for voices and instruments; and after acquiring a great reputation in Hamburg—where, in 1705, he brought out his "Almira"—he proceeded to Florence, where he produced the opera of "Rodrigo," and thence to Venice, Rome, and Naples. After remaining in Italy four years, he was induced to come to England in 1710, at the pressing entreaties of many of the English nobility, to superintend the opera. But, though he was enthusiastically received, the party spirit which raged at that period soon made it impossible to conduct the opera with any degree of self-respect and independence. He therefore abandoned the attempt, having sunk nearly all his fortune in it, and commenced the composition of his noble oratorios. Racine's "Esther," abridged and altered by Humphreys, was set by him, in 1720, for the chapel of the Duke of Chandos at Cannons. It was, however, only by slow degrees that the wonderful genius of Handel was appreciated, yet it won its way against all prejudices and difficulties. In 1731 his "Esther" was performed by the children of the chapel-royal at the house of Bernard Gates, their master, and the following year, at the king's command, at the royal theatre in the Haymarket. It was fortunate for Handel that the monarch was German too, or he might have quitted the country in disgust before his fame had triumphed over faction and ignorance. So far did these operate, that in 1742, when he produced his glorious "Messiah," it was so coldly received that it was treated as a failure. Handel, in deep discouragement, however, gave it another trial in Dublin, where the warm imaginations of the Irish caught all its sublimity, and gave it an enthusiastic reception. On its next presentation in London his audience reversed the former judgment, and the delighted composer then presented the manuscript to the Foundling Hospital, where it was performed annually for the benefit of that excellent institution, and added to its funds ten thousand three hundred pounds. It became the custom, from 1737, to perform oratorios[156] on the Wednesdays and Fridays in Lent. Handel, whose genius has never been surpassed for vigour, spirit, invention, and sublimity, became blind in his latter years. He continued to perform in public, and to compose, till within a week of his death, which took place on April 13, 1759. He had seen Tilly at intervals through the years, but as he had never allowed himself to give her more than a withering glance, he had not a very definite idea of her. She was now nearly fifty-five, and more than inclined to stoutness—indeed, her comfortable figure was almost ludicrous compared with her haggard, anxious face, scored with lines and patched with shadows. Her grey hair was thin, and straggled on her forehead, her eyes had lost their brightness; yet there was nothing wild or terrible about her face, it was just domesticity in desperation. The stranger instantly divested himself of his wet apparel, and attired himself in Holgrave's yeoman's garb; and then, with the natural regret of one accustomed to traffic, he drew from a secret pocket of his wet doublet, a bag of coin, the wreck of his merchandize, and with a sigh for all he had lost, placed it in his bosom. His dagger was also stuck in his doublet, so that if necessity came, he might use it; and then attentively listening to Holgrave's directions, he threw himself upon a heap of rushes in a corner, and soon after his host had withdrawn to throw the tell-tale garments into the Isborne, he fell into the short, light slumbers of a seaman. HoME 本土自拍大中华 ENTER NUMBET 0010www.aab44.com.cn
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